Later, when she is at Bolvangar she is disappointed when she is forced to wear ill-fitting, second-hand clothing. When Lyra finds Tony Makarios in a frozen fish shed, severed from his dæmon, she notices that his clothes look like hand-me-downs. Ill-fitting, second-hand clothes (symbol)Īs children arrive at Bolvangar, the staff takes away their clothing and gives them used, ill-fitting garments as a replacement. At the same time, if she forgets about the alethiometer’s power she will be lost. Lyra often must keep the alethiometer secret, much as a person far from home must keep her inner truth to herself. In this way, Pullman uses the alethiometer as a symbol for inner truth: that which somebody personally knows to be true despite the outside world denying it. Later, it serves her as a tool for finding the truth. Lyra receives the alethiometer at the moment she leaves her childhood home. However, he has “intense and brilliant green…eyes, which were the only witchlike thing about him” (P.102). For example, the witches’ consul, Martin Lansalius, looks like a boring office worker. In this way, eyes serve as a motif as well as a characterization device that reveals people’s true nature. When Pullman introduces new characters, he often describes their eyes. Moreover, the northern lights indicate that Lyra must head north toward otherworldly forces in her search for truth and justice. In this way, the Golden Compass builds on ancient traditions which viewed the aurora borealis as a kind of omen or message about the future. This moment is important because Serafina’s dæmon indicates that the witch will join her cause. For example, the first time that Lyra sees the northern lights Kaisa flies into her view. When Lyra finally makes it to the North, each mention of the aurora is followed by an important plot development. From the very beginning of the story Lyra finds inspiration in the aurora borealis, also known as the northern lights.
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